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Scharaga graduated from UNC Wilmington in and began working for a software company, staying in the industry for nearly 10 years. He briefly moved to Richmond, Virginia, for a job and took on additional part-time work as a sushi chef, later opening his own part-time sushi catering business. He relied on friends in Japan to help him. They found the first mention of nyotaimori back in the Shogun period of Japan, around the s, when returning warriors supposedly ate sushi off geishas. More recently, he says, the Japanese mafia picked up the practice, kidnapping girls and using them as their sushi platters.

InScharaga rebranded his company Nyotaimori Experience. Most of his business at the time was in Durham. It then spread to Charlotte, and on to Atlanta. Back then, it was still a curiosity for people, he says. Where is the line between art and objectification? Furthermore, having an Asian female lie atop a table and allow food to be eaten off her furthers the expectation that Asian women are passive, voiceless—and they are willingly, happily so. Wearing black athletic pants and a black zip-up over a workout tank top, she meets training partner James Adams inside. To win in her division, she has to be just muscular enough, just lean enough.

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What sort of work would you like to pursue? I just finished my MFA in Filmmaking at Tisch and now definitely want to work in commercials, fashion videos and music videos. Anything with a quirky style and fun energy. In the long term, I would like to do feature films too. I was born in Paris with French parents, but went to London at one week old, where I spent all my childhood. I went to a French school there hence the accent, and did my undergraduate studies at the London School of Economics. When did you realise you wanted to become a film maker? I think it all started with storytelling.

I was at home a month ago and found these really weird short stories I wrote as a child, about lonely kings having affairs with their golf teachers who wanted them to lose weight — anyway, I liked writing a lot and then it gradually became about the visuals. When I read a book, I think about the image and how it would look as a film. When I was an undergraduate student, I got involved with the filmmaking society and made my first short. From then on, I loved the whole process. I loved the idea of making ideas concrete.

Are you looking to be signed with a production company? In this collective, we gather directors, directors of photography, stylists, photographers and graphic designers, that we find are talented and work together as a team.